Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Brian_Caponi_13.jpg
Brian_Caponi_14.jpg
Brian_Caponi_15.jpg
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

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Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Found Ming Dynasty Saggar and Porcelain. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin p
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Brian_Caponi_13.jpg
Brian_Caponi_14.jpg
Brian_Caponi_15.jpg
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
Saggar | Form Series , Jindezhen Porcelain with Glaze. 2017 - on going Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain
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Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th
Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th
Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th
Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th
Saggar | Form Series , Digital Print, Ming Dynasty Form overlaid in cast form. 2019 Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as th

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Found Ming Dynasty Saggar and Porcelain. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Jindezhen Porcelain with Glaze. 2017 - on going

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

Saggar | Form Series, Digital Print, Ming Dynasty Form overlaid in cast form. 2019

Ming Dynasty collapsed saggar and porcelain forms were collected from various sites around Jingdezhen, China, and moved through the mold making process; cast as thin porcelain versions of their former selves. Shifting form to surface, these objects touch lightly towards ideas related to dislocation, longing, and the inescapable potential of the cast off. Collapsing time and place, their glazed interiors seek to reanimate the objects as functional vessels of the present.

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