wading in without,  detail image. 2018  “ wading in without  is a large scale sculptural installation, utilizing cast concrete platforms as ground, for a range of fabricated and found objects. Materials and forms are withdrawn directly from a dislodged and abstracted autobiographical narrative. Utilizing the artist’s childhood home as site and source,  wading in without  addresses broader notions around dislocation and longing, and the enduring persistence of the human spirit.”  The Chapman Gallery, Kansas State University. August-September 2018

wading in without, detail image. 2018

wading in without is a large scale sculptural installation, utilizing cast concrete platforms as ground, for a range of fabricated and found objects. Materials and forms are withdrawn directly from a dislodged and abstracted autobiographical narrative. Utilizing the artist’s childhood home as site and source, wading in without addresses broader notions around dislocation and longing, and the enduring persistence of the human spirit.”

The Chapman Gallery, Kansas State University. August-September 2018

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  wading in without,  detail image. 2018  “ wading in without  is a large scale sculptural installation, utilizing cast concrete platforms as ground, for a range of fabricated and found objects. Materials and forms are withdrawn directly from a dislodged and abstracted autobiographical narrative. Utilizing the artist’s childhood home as site and source,  wading in without  addresses broader notions around dislocation and longing, and the enduring persistence of the human spirit.”  The Chapman Gallery, Kansas State University. August-September 2018
DSC_0129.jpg
DSC_0066.jpg
DSC_0139.jpg
DSC_0094.jpg
DSC_0095.jpg
DSC_0119.jpg
DSC_0121.jpg
DSC_0107.jpg
DSC_0120.jpg
DSC_0045.jpg
DSC_0057.jpg
DSC_0099.jpg
DSC_0126.jpg

wading in without, detail image. 2018

wading in without is a large scale sculptural installation, utilizing cast concrete platforms as ground, for a range of fabricated and found objects. Materials and forms are withdrawn directly from a dislodged and abstracted autobiographical narrative. Utilizing the artist’s childhood home as site and source, wading in without addresses broader notions around dislocation and longing, and the enduring persistence of the human spirit.”

The Chapman Gallery, Kansas State University. August-September 2018

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